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[person_by] Martine Stig
November 2019
Study for Profiles, Martine Stig, 2017-18
Martine Stig
2017
Study for Profiles (2017) Profiles is a study of the human facial profile, with its characteristic shape that leans on a gaze or camera at eye-level. The human depicted from the human perspective; anthropocentrism at its best.
Turn#3, Martine Stig, 2016
Martine Stig
2017
In Vertigo I investigate the influence of technological progress on the photographic image. Drones and satellites extend our senses, mobile mapping increases our viewing space. "Eye level" gives way to "machine vision" (or does a hybrid form arise?).
still Planar (2017, HD, 8.54”), Martine Stig, 2017
Martine Stig
2017
Planar, a black & white film, shot from a balcony in Genua, scans the surface of the city. Playing with connotations of surveillance drones and ‘Film Noir’ the long lens seems to act on human presence but follows nobody.
Still Walking in the City, Martine Stig, 2018
Martine Stig
2018
Walking in the City, HD, 11:42, 2018, with a text by Basje Boer. A short science fiction movie showing the city of Sao Paulo through a vertical stereoscope, uncovering different notions of perception and power.
Sync., Martine Stig, 2019
Martine Stig
2019
Sync, 2019 Holiday photos in a rural setting, synchronously photographed from eye level and from the sky. The images, double projections, indicate the presence of the "eye in the sky".
Profiles #4, Martine Stig, 2018
Martine Stig
2017 – 2018
Profiles is a study of the human facial profile, with its characteristic shape that leans on a gaze or camera at eye-level. The human depicted from the human perspective; anthropocentrism at its best.