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Thought photograph, Ted Serios, 1967
Frank van der Stok
In this Post-Truth era, almost every photograph seems to be speculative by nature.
still from Art for Machine (artist talk), Martine Stig, 2020
Martine Stig
2020
In this research I focus on the changes the photographic image has undergone in the transition from analog to digital. In fact, the photographic image has become bilingual; it is both image and data and can be read by man and machine.
Junipers, Hiryczuk / Van Oevelen, 2017
Hiryczuk / Van Oevelen Elodie Hiryczuk Sjoerd van Oevelen
The project ‘Towards a Gaze Multiple’ is currently conducted by artists and PhD candidates Elodie Hiryczuk and Sjoerd van Oevelen at LUCAS Centre for the Arts in Society at Leiden University. …
Profiles #4, Martine Stig, 2018
Martine Stig
Technological progress extends our senses and turns our x-y-z world into a 360˚ space. Since we can virtually look from every high vantage point -with the help of drones and satellites- linear perspective and monocular rendition start to lose their universal self-evidence.
Getty Images / Ken Murray, 1993
Frank van der Stok
Radical Metamorphoses aims at creating unseen and unprecedented insights that may follow from the sequencing of two (or more) images, in which transformations took place overtime.
Untitled, Shoji Ueda, 1940
Hiryczuk / Van Oevelen Sjoerd van Oevelen Elodie Hiryczuk
The Detached Gaze presents a collection of sources on visual perception and alternative ways of representing space within the realm of photography and painting.
Wikimedia Commons, Photographer unknown, 1914
Frank van der Stok
Kill our Icons pleas for a rethinking of the iconic photos that are part of our collective memory. Kill our Icons proposes alternative images without apparent iconic value which indirectly tell more pregnant stories than the types of images calling for linear cause-and-effect explanation.
