Frank van der Stok (b. 1967) is a Dutch curator and editor, based in Amsterdam.
websiteSpiritus (work in progress), LNDW Studio, 2022
Taede A. Smedes Philippe Ailleris Doina Kraal Roger Cremers Taco Hidde Bakker Frank van der Stok
3 September 2022 4:00 pm
Looiersgracht 60, Amsterdam
A talk and public discussion about Unidentified Aerial Phenomena, the imagination and speculations about extraterrestrial life and intelligence, with guests Philippe Ailleris and Taede A. Smedes and moderators Doina Kraal and Taco Hidde Bakker.
Spiritus (work in progress), Frank van der Stok, 2022
Doina Kraal Roger Cremers Frank van der Stok Taco Hidde Bakker
27 August 2022 4:00 pm
Looiersgracht 60, Amsterdam
For the second event in the context of the Public Research Residency at Looiersgracht we invite guests for a storytelling event (a miniature time travel through objects and live stories).
Bram Roza Frank van der Stok Taco Hidde Bakker Doina Kraal Roger Cremers
20 August 2022 7:30 pm
Looiersgracht 60, Amsterdam
Film screening of The Phenomenon (James Fox, 2020) with an introduction by UFO-researcher Bram Roza about the film and his own documentary-in-progress, De UFO’s van Soesterberg.
Doina Kraal Roger Cremers Frank van der Stok Taco Hidde Bakker
8 August 2022 - 10 September 2022
Looiersgracht 60, Amsterdam
Looiersgracht 60 and Radical Reversibility are welcoming Amsterdam-based artists Doina Kraal (1980) and Roger Cremers (1972) as the first participants of the Public Research Residency.
Getty Images / Ken Murray, 1993
Frank van der Stok
Radical Metamorphoses aims at creating unseen and unprecedented insights that may follow from the sequencing of two (or more) images, in which transformations took place overtime.
Wikimedia Commons, Photographer unknown, 1914
Frank van der Stok
Kill our Icons pleas for a rethinking of the iconic photos that are part of our collective memory. Kill our Icons proposes alternative images without apparent iconic value which indirectly tell more pregnant stories than the types of images calling for linear cause-and-effect explanation.
The Granite Dish in the Berlin Lustgarten, Johann Erdmann Hummel, 1831
Frank van der Stok
Some paintings and sketches of the late 18th and early19th centuries seemed to anticipate photographic techniques.
Hello World, Center for PostNatural History, loaned by the lab of Dr. Andy Ellington, 2006
Frank van der Stok
Escherichia coli is a bacteria found in the human gut and a “model organism” for scientific research around the world. The variety shown here was genetically engineered to be the first living photographic biofilm.
Mammoth Blood (still from the documentary Genesis 2.0), Christian Frei, 2018
Frank van der Stok
On the New Siberian Islands in the Arctic Ocean, hunters are searching for the tusks of extinct mammoths. In the thawing permafrost they happen upon an exceptionally well-preserved mammoth carcass, complete with blood and fur.
Nsala, Alice Seeley Harris, 1904
Frank van der Stok
After they were made public, these pictures forced people in Europe to face what was really happening and, under public pressure, in 1908 Congo was signed over the the Belgian state. It wouldn't gain independence until 1960. The power of these images added largely to put an end to colonial rule.
Second View: The Rephotographic Survey Project, Mark Klett, 1979
Frank van der Stok
1977–79
Radical Metamorphoses aims at creating unseen and unprecedented insights that may follow from the sequencing of two (or more) images, in which transformations took place overtime.
12650000, Susanne Kriemann (on of the appropriated images from the project), > 1941 - 2008 <
Frank van der Stok
Radical Metamorphoses aims at creating unseen and unprecedented insights that may follow from the sequencing of two (or more) images, in which transformations took place overtime.
Marinetti's vehicle in a ditch, Unknown Photographer, 1908
Frank van der Stok
1908
Op 1 mei 1909 werd de Nederlandse Tijd ingevoerd. Op zoek naar de vraag hoe dat verwoord wordt in de krant, zocht ik in - nota bene - De Tijd de dag eraan voorafgaande (30-04-1909), maar die werd geheel beheerst door de geboorte van Prinses Juliana.
Hoax, Luc Delahaye (Courtesy: Luc Delahaye & Gallery Nathalie Obadia), 2003
Frank van der Stok
Radical Metamorphoses aims at creating unseen and unprecedented insights that may follow from the sequencing of two (or more) images, in which transformations took place overtime.
The Other Face of Apartheid, PictureNET Africa / Ken Oosterbroek, 1993
Frank van der Stok
Kill our Icons pleas for a rethinking of the iconic photos that are part of our collective memory. It proposes alternative images without apparent iconic value which indirectly tell more pregnant stories than the types of images calling for linear cause-and-effect explanation.
The Kiss of Death, Reporters / Associated Press / Boris Yurchenko, 7 October 1989
Frank van der Stok
1979
Kill our Icons pleas for a rethinking of the iconic photos that are part of our collective memory. Kill our Icons proposes alternative images without apparent iconic value which indirectly tell more pregnant stories than the types of images calling for linear cause-and-effect explanation.
Frank van der Stok
In this Post-Truth era, almost every photograph seems to be speculative by nature.
The other Angle, Credit Terril Jones/Associated Press, 1989
Frank van der Stok
1989
In this Post-Truth era, almost every photograph seems to be speculative by nature.
Phantom Image, Louis Jacques Mandé Daguerre (18 november 1787 - 10 july 1851), Wikimedia Commons, 1838
Frank van der Stok
Louis Daguerre, Boulevard du Temple, is believed to be the earliest photograph of people (1838). Because the image required an exposure time of over ten minutes, all the people, carriages, and other moving things disappear from the scene.
Hilton Hotel, Ted Serios, ca. 1967
Frank van der Stok
1967
A thought photograph by Ted Serios (ca. 1967), taken from the book: ‘Photographs of the Unknown’. Serios claimed the ability to project mental images onto photographic film, sometimes with the lens cap still on and sometimes with no lens at all on the camera.
Titanic: The New Evidence, Found Footage / Senan Molony, 1912
Frank van der Stok
2017
Journalist Senan Molony recently came across an amazing discovery hidden in an attic in England for more then 100 years: a collection of pictures taken of the Titanic by the shipbuilding firm before it left the shipyard.
Sebastiao Salgado, 1981
Frank van der Stok
1981
In this Post-Truth era, almost every photograph seems to be speculative by nature.
Frank van der Stok
In this Post-Truth era, almost every photograph seems to be speculative by nature.
Flat Earth, Creative Commons,
Frank van der Stok
In this Post-Truth era, almost every photograph seems to be speculative by nature.
Vasily Fedosenko/Reuters,
Frank van der Stok
Radical Metamorphoses aims at creating unseen and unprecedented insights that may follow from the sequencing of two (or more) images, in which transformations took place overtime.
pnas.org,
Frank van der Stok
Radical Metamorphoses aims at creating unseen and unprecedented insights that may follow from the sequencing of two (or more) images, in which transformations took place overtime.
Bill Ganzell, June, 1979.
Frank van der Stok
Radical Metamorphoses aims at creating unseen and unprecedented insights that may follow from the sequencing of two (or more) images, in which transformations took place overtime.
'The main suspect of the Reichstag fire, Marinus van der Lubbe, at the start of the process in Leipzig.', Reporters / Associated Press, Photographer unknown, 1933
Frank van der Stok
2019
Kill our Icons pleas for a rethinking of the iconic photos that are part of our collective memory. Kill our Icons proposes alternative images without apparent iconic value which indirectly tell more pregnant stories than the types of images calling for linear cause-and-effect explanation.
Courtesy of San Francisco Museum of Modern Art., 2010
Frank van der Stok
Radical Metamorphoses aims at creating unseen and unprecedented insights that may follow from the sequencing of two (or more) images, in which transformations took place overtime.
Frank van der Stok
In this Post-Truth era, almost every photograph seems to be speculative by nature.
Lonnie van Brummelen & Siebren de Haan, 2011
Frank van der Stok
In this Post-Truth era, almost every photograph seems to be speculative by nature.
Credits: Wikimedia Commons / Photographer unknown, June 28, 1914
Frank van der Stok
Kill our Icons pleas for a rethinking of the iconic photos that are part of our collective memory. Kill our Icons proposes alternative images without apparent iconic value which indirectly tell more pregnant stories than the types of images calling for linear cause-and-effect explanation.
2009
Frank van der Stok
1875
In this Post-Truth era, almost every photograph seems to be speculative by nature.
Frank van der Stok
Radical Metamorphoses aims at creating unseen and unprecedented insights that may follow from the sequencing of two (or more) images, in which transformations took place overtime.
1903 / 1945
Frank van der Stok
In this Post-Truth era, almost every photograph seems to be speculative by nature.
David Claerbout, 2001
Frank van der Stok
Radical Metamorphoses aims at creating unseen and unprecedented insights that may follow from the sequencing of two (or more) images, in which transformations took place overtime.
Kill our Icons, Credits: Getty Images / Ken Murray, 1993
Frank van der Stok
1993
Kill our Icons pleas for a rethinking of the iconic photos that are part of our collective memory. Kill our Icons proposes alternative images without apparent iconic value which indirectly tell more pregnant stories than the types of images calling for linear cause-and-effect explanation.
Kill our Icons, Picture-alliance / United-archives / Ladislav Bielik, 1968
Frank van der Stok
Kill our Icons pleas for a rethinking of the iconic photos that are part of our collective memory. It proposes alternative images without apparent iconic value which indirectly tell more pregnant stories than the types of images calling for linear cause-and-effect explanation.
Rhinoceros, Albrecht Dürer, 1515
Frank van der Stok
1515
When Albrecht Dürer produced this woodcut 500 years ago he could never have imagined that it would be cause for the lively debate about the odds at which fact and fiction are now related.
Frank van der Stok
Radical Metamorphoses aims at creating unseen and unprecedented insights that may follow from the sequencing of two (or more) images, in which transformations took place overtime.
Radical Reversibility manifesto, design Hans Gremmen, 2017
Martine Stig Elodie Hiryczuk Sjoerd van Oevelen Frank van der Stok Hans Gremmen
2017
On the occasion of our launch we will issue a printed manifesto, designed by Hans Gremmen along with the first RR special editions of work by Hiryczuk/ Van Oevelen, Martine Stig, Stephan Keppel and El Lissitzky. Interview by Daria Tuminas.